DAZZ BAND LET IT WHIP CHORDS FULL
DAZZ BAND LET IT WHIP CHORDS TV

A number one in the UK, ironically enough, he was kept off the top spot in the US by the very same Kim Carnes with Bette Davis Eyes. This swansong track is a nostalgic, grown-up take on the lovable innocence of his early work with the label. Solo Smokey originally wrote this sweet mid-tempo ballad with the US songstress Kim Carnes in mind, but ended up recording it himself with her former producer. The number showcased her stirring vocal talent, but Weston never experienced the breakout success of Diana Ross or Martha Reeves and left the label soon after due to a dispute over royalties. They were never the biggest of hitmakers, but the sheer presence of this Holland-Dozier-Holland floor-filling classic on a turntable is still guaranteed to cover the dancefloors of Northern Soul clubs across the UK in talcum powder.ģ7 Take Me In Your Arms (Rock Me A Little While)Īlong with It Takes Two, a duet with Marvin Gaye, this belting 45 was Detroit-born Kim Weston’s biggest Motown hit. The Elgins went through many iterations (The Sensations, The Five Emeralds, The Downbeats) before signing on the dotted line at Motown.

DAZZ BAND LET IT WHIP CHORDS TV

We’re reliably informed that state TV stations in Nigeria played the track every night for many years after the national anthem and before closing down. The clavinet-driven instrumental title track was also the lead single. The song re-emerged when MC Hammer, bless his oversize trousers, borrowed bits of it for U Can’t Touch This.īefore Lionel Richie and the ploddy ballads took centre stage, the Commodores were a bunch of hardcore funksters, as the band’s ass-shakin’ debut album for Motown testifies. One of Motown’s saucier releases (“She’s a very kinky girl/ The type you don’t take home to mother”), James described Superfreak as punk-funk. In a previous incarnation, the not-so bashful James was a band mate of Neil Young in The Mynah Birds, but their musical paths took very different directions. Whatever the value, truth is, spinning a classic Motown 45 will only make your world a better place. Early US release 7″s on any of the many Motown imprint labels are equally desirable.įor our Essential selection, we’ve concentrated on UK releases and the prices of these vary from a fiver all the way through to £150.

Nab yourself a promo DJ copy of any of these and you could find that you’re quids in. Northern Soul collectors will know only too well that the early 45s were available on a number of pre-Tamla Motown labels in the UK starting with London American Records (1960/61), Fontana (1961/62), Oriole American Records (1962/63) and, more substantially, Stateside Records (1963/65). The Beatles were early adopters and covered a clutch of Motown tracks on With The Beatles. The Supremes alone notched no less than 11 US number ones during that decade. Of these, a staggering 357 were significant chart hits. Just how successful they had become is evidenced by the fact that during the 1960s the Motor City label released 535 singles in the USA. Heavy-hitting artists such as Stevie Wonder, Diana Ross, Smokey Robinson and Marvin Gaye were waiting in the wings, too.īy 1963, Motown was beginning to accumulate a significant chart presence, and a year later the label broke through into the mainstream.

Postman by The Marvelettes and Shop Around by the Miracles blazed a glorious trail. The early singles from 1959 to the very early 60s were a mix of gospel, blues, raw R&B and the occasional doo-wop rocker. It was pressed with the sole purpose of being danced and sung along to.

DAZZ BAND LET IT WHIP CHORDS FULL

The Motown 7″ single is pop music at its purest: gloriously ephemeral, full of instant emotion, goodtime fun and irresistible joy.

However, for many the format that always makes the most sense for Motown’s music is the 45. This is as good as it gets on long-playing vinyl and we have all but scratched the surface. Hitsville USA’s famed LP releases include Marvin Gaye’s What’s Going On and Let’s Get It On, Stevie Wonder’s Talking Book and Innervisions, Four Tops’ Reach Out, The Temptations’ Sky’s The Limit, Smokey Robinson’s Going To A Go-Go and Gladys Knight’s Nitty Gritty. W ith its roster of towering talent, there’s little surprise that there have been some amazing albums released on the Motown label since its inception in 1959. From R&B stompers and smooth pop ballads to psychedelic soul symphonies and gritty urban funk, Motown has given the world some of the most joyful music of the last 60 years…

Dazz band let it whip chords